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He enjoys creating media-marketing social networking campaign for personalities such as 13-time world boxing champion Tori Nelson, Netflix's "Narcos" personalities Steve Murphy and Javier Pena, and renowned landscape photographer Frank Lee Ruggles. Filming takes him to Micronesia, Guam, Hawaii, Canada, and locations across the U.S. history and the search for those 15 lost souls abducted in 1938, the true first act of war with Japan. Jeff is looking for funding investors and co-producing "The Lost Clipper," a two+ decades project about the first hijacking in U.S. Outside of the workplace, Jeff keeps himself busy with the creation of festival worthy documentaries "Tori Nelson: Fighting for Her Future" and once nominated and two time Emmy award winning "A Journey of Education and Remembrance." His short film "The Great Realisation" captured the eyes at 18 international film festivals with various winning honors a poem that takes on heavy themes such as fevered capitalism, man-made ecological issues, digital addiction and, of course, the current global blight. Selecting a region changes the language and/or content on two decades, Jeff Riegel was a former senior level Producer/Editor for the Department of Defense and various government contractors in Northern Virginia.
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You can apply 2D or 3D Motion Presets to any 2D or 3D movie clip. The tweened 3D properties do not apply to graphic or button symbols, or to classic text fields. Motion Presets that contain 3D motion can only be applied to movie clip instances. You can adjust the length of the tween span in the Timeline after the preset is applied. If the target object has a tween of a different length applied to it, the tween span adjusts to match the length of the Motion Preset. When you apply a preset, the tween span created in the Timeline contains this number of frames. If you save a new preset over an existing one, it has no effect on any pre-existing tweens created with the original preset.Įach Motion Preset contains a specific number of frames. Deleting or renaming a preset in the Motion Presets panel has no effect on any tweens previously created with that preset. Once a preset is applied to an object on the Stage, the tween created in the Timeline is not related to the Motion Presets panel. If you apply the second preset to the same object, the second preset replaces with the first one. You can apply only one preset per object. While a tweenable object (symbol instance or text field) is selected on the Stage, you can click the Apply button to apply a preset. Quick share and publish your animations.Best Practices to optimize FLA files for Animate.Best practices - SWF application authoring guidelines.Best practices - Tips for creating content for mobile devices.Controlling external video playback with ActionScript.Export graphics and videos with Animate.Working with Custom Platform Support Plug-in.Best practices - Accessibility guidelines.Best practices - Organizing ActionScript in an application.
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Working with Adobe Premiere Pro and After Effects.Strokes, fills, and gradients with Animate CC.Creating and working with symbol instances in Animate.Transforming and combining graphic objects in Animate.Optimization options for Images and Animated GIFs.Export animations for mobile apps and game engines.Using web fonts in HTML5 Canvas documents.Use the Stage and Tools panel for Animate.Using Creative Cloud Libraries and Adobe Animate.Using Google fonts in HTML5 Canvas documents.Virtual Reality authoring and publishing.Best practices - Advertising with Animate.
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Add interactivity with code snippets in Animate.Create and publish HTML5 Canvas documents in Animate.Convert Animate projects to other document type formats.How to use mask layers in Adobe Animate.Working with Motion tweens saved as XML files.Editing the motion path of a tween animation.
How to edit motion tweens using Motion Editor.How to work with classic tween animation in Animate.How to use frames and keyframes in Animate.Work with Multiple File Types in Animate.